Natraj Academy Of Performing Arts Pvt. Ltd.
Corporate Identification Number (CIN) NO :- U92412MH2012PTC231936 &
Member of the International Dance Council (C.I.D), UNESCO. Membership No: (22188).
Kathak Image

ghungroo About Us ghungroo

Dance is an Immortal Art for the Mortals

For over three decades, my journey as a dancer has been a profound exploration of movement, culture, and artistry. It was 35 years ago that I first stepped into the world of Indian Classical dance, with the blessings of my dance guru's Late.Guru. Ravi Sharma, (Bharatnatyam) Late.Guru. Arun Chandiwale, (Folk and Kathak) Late.Guru.Vasantrao Ghatge. Along with my past Guru Priyanka Shinde & present Guru. Rajashree Tai Oak immersing myself in the intricate rhythms and storytelling of Bharatanatyam and the graceful elegance of Kathak. These classical forms became the foundation of my craft, teaching me discipline, precision, and the power of expression through dance.

As my passion deepened, I ventured beyond the classical realm, drawn to the vibrant tapestry of India’s ethnic and tribal communities. This exposure opened my eyes to the rich diversity of Indian Folk Dance traditions, each with its own unique history, rhythm, and cultural significance. From the energetic beats of Bhangra to the soulful movements of Garba, I embraced these styles, weaving them into my artistic repertoire.

Over the years, I have had the privilege of transforming this knowledge and experience into captivating stage performances. By blending the structured elegance of classical dance with the raw, earthy energy of folk traditions, I have created a distinctive style that celebrates the unity and diversity of Indian dance. Each performance is a tribute to the stories, traditions, and communities that have shaped my journey, offering audiences a glimpse into the soul of India’s dance heritage.

Through my work, I strive to honor the past while innovating for the future, ensuring that these timeless art forms continue to inspire and resonate with new generations. Dance, for me, is not just a passion—it is a lifelong commitment to preserving and sharing the beauty of India’s cultural legacy.

1. To run an academy of Performing Arts in full or partial fulfillment of the obligations, rules, and regulations set by State Educational Boards and the University Grants Commission.
2. To facilitate the conservation of Indian Classical and Folk Dance forms, as well as the overall preservation of Indian culture.
3. To promote, protect, and conserve ancient, historically passed down, recently passed, and contemporary Indian Classical and Folk dance forms, ensuring the maintenance of their indigenous integrity.
4. To project Indian culture, including the classical and folk dance forms mentioned above, on International platforms, presenting them in their best light.
5. To foster cultural assimilation between ethnic cultures around the world and within India.
1. To establish linkages with various conservation organizations aimed at promoting the overall cultural conservation of Indian dance forms.
2. To raise sufficient funds to sustain N.A.P.A.'s Pvt. Ltd. operations, progress, propagation, and well-being, ensuring it becomes a center of excellence for learning Indian dance forms and cultural traditions, both within India and abroad.
3. To maintain a library through donations, exchanges of books, documents, audio-visual materials, and visuals, providing valuable resources for students undertaking various courses.
4. To establish a mechanism for developing a competent in-house team of choreographers and an audio-visual unit.
5. To collaborate with foreign universities to seek faculty input related to all the components of the objectives outlined above.
1. To promote the business and growth of N.A.P.A. Pvt. Ltd.
2. To propagate the art of Indian classical dance and develop avenues for cultural exchange between India and other countries, thereby strengthening cultural bonds globally.
3. Inculcating the true essence of expressions required in drama and acting through Indian classical skills, emotions (Navarasa), and hand gestures (Hasthabhedas).
1. Children above 5 years of age (Classical Dance)
2. Children above 8 years of age (Folk Dance)
3. Mother-daughter duos / Father daughter duos are most welcome.
4. Full-time and part-time working individuals (Male/ Female)
5. Solo / Groups , Online and Offline master class training available
1. North Eastern Region
  • Cheraw Nritya, Chailam, Tlanglam (Mizoram)
  • Pangi, Namogen, Sirmur Rasa (Himachal Pradesh)
  • Naga Dance (Nagaland)
  • Bihu Dance (Assam)
  • Chai Bagan (Assam)
  • Jagar, Gadhwali, Jhumelia, BaradiNati, Chhapeli (Uttarakhand)
  • Charkula, Ramlila, Rasleela, Nautanki (Uttar Pradesh)
  • PungCholam, Lai Maiba, Raslila, Thang-ta (Mizoram)
  • Apatani, Dafla, Nongrong, Wancho (Arunachal Pradesh)
  • Dalkhai, Paik, Karma, Chhadiya (Odisha)
  • Tusu Prab, Jatra, Dhunanchi (West Bengal)
  • Tamang Selo, Rechungma, Subba, Khukhurinaach (Sikkim)
  • Laho, Nongkrem (Meghalaya)
  • Bizu, Hozagiri, Wya (Tripuru)
  • Bihari Natwa (Bihar)
  • Santhal, Paika, Jhumar, Karma (Jharkhand)
  • Saila, Karma, Gendi (Chattisgarh)
2. Mid-Nothern Region
  • Kalbeliya, Bedlo, Ghoomar (Rajasthan)
  • Bhangda Nritya (Punjab)
  • Bhangra , Gidda, Tappa & Boliya (Punjab)
  • Kacchi Ghodi, Puppet, Bhavai (Rajasthan)
  • Rasleela, Daph, Lahoor(Harayana)
3. Southern Region
  • Kaikotikali, Velakali (Kerala)
  • Karghattam (Tamin Nadu)
  • Unmathala Balakat Beesu Kamsale(Karnataka)
4. South East
  • Lambadi,Dhimsa,Kolatam
  • Kalapam(Andra Pradesh)
  • Gusadi Rela (Telangana)
5. Central Region
  • Rai, Suruchi, Bhujalia, Baiga, Karma (MadhyaPradesh)
6. Creative Dances
  • Classical Dance fusion.
  • Indian folk fusion.
  • Welcome dances
  • Shiv Parvati Nritya
  • Oriental Peacock (Chinese)
  • Kathak-Flamenco Fusion.
6. Union Territories
  • Tarpa (Dadra & Nagar Haveli)
  • Nicobari (Andaman & Nicobar)
  • Lava, Kolkali (Lakshwadeep)
  • Jabro (Ladakh)
  • Rouf, Hafiza, Kud (Jammu& Kashmir)
1. Fusion
2. Flamenco & Tap Basics
3. Jive & Salsa Basics
1. Ballet on Types of Shiv Tandav
2. Mahakali Ballet
3. Namokar Ballet.(Jain Dharma)
4. Beti aap Karmi Ki Baap Karmi (Jain ballet)
5. Peace Ballet.(Base on Riots)
6. Nem Rajul(Jain Ballet)
7. Bhaktambar Ballet(Jain Dharma)
8. Hasta huva Bachpan
9. Elements of Nature (Survival of Human & Nature conflict)